Photos and review by Raven Divito
@rockinshots

Post Malone Transforms Oracle Park Into a Country-Hip-Hop Roadshow

It was a blockbuster weekend for music fans at Oracle Park. No sooner had Shakira exited the stage than Post Malone rolled in the next night, firing up production for his aptly named Big Ass Stadium Tour on July 1. The name fits. Post has evolved from intimate arena shows to full-scale stadium spectacles, thanks in part to his latest musical reinvention: a dive headfirst into country.

His new album F-1 Trillion has pushed his Texas roots front and center, trading trap beats for twangy riffs and drawing country heavyweights like Jelly Roll, Morgan Wallen, and Tim McGraw into his orbit. It’s a shift that feels both strategic and sincere—one that was on full display in San Francisco.

Jelly Roll kicked things off, and by the time “New Times” arrived, he was already working the crowd, pacing the runway-style stage with charisma and heart. Backed by a tight band, guitarists, and backup vocalists, Jelly Roll delivered a gritty, heartfelt set. The stage design added flair, shifting from gas stations to karaoke bars, mirroring the everyman vibe of his songs. Though some fans were still finding their seats, Jelly Roll kept the energy high with cuts like “Son of a Sinner” and “Liar,” plus a mashup that spanned John Denver’s “Take Me Home, Country Roads,” Nickelback’s “How You Remind Me,” and Wiz Khalifa’s “Young, Wild & Free.” Between songs, he beamed with gratitude for being on tour with Post, a sentiment he shared often and sincerely.

When Post Malone finally hit the stage at 9 p.m., to the twangy, boot-stomping “Texas Tea,” the transformation was complete: the runway now resembled a freeway, flanked by monster trucks, glowing Route 66 signs, and animated LED road-trip scenes. He launched into “Wow.” and “Better Now,” igniting the stadium with nostalgia and fresh energy.

Post’s first dip into his country catalog came with “Wrong Ones,” quickly followed by “Go Flex.” He paused frequently to speak directly to the crowd, reflecting on his decade-long journey from SoundCloud oddball to stadium headliner. His gratitude felt genuine, and he wore it on his sleeve—or, more precisely, on his Wrangler jeans and flannel shirt, complete with cowboy boots and his signature face tattoos.

One of the most affecting moments of the night was his stripped-down acoustic rendition of “Feeling Whitney.” Alone with his guitar, Post created an unexpectedly intimate moment, the stadium lit up by thousands of phone flashlights.

The show also featured standout collaborations. Jelly Roll returned for a raucous performance of their duet “Losers.” The two embraced warmly onstage, trading compliments and heartfelt praise. “He’s the kindest and most generous person I know,” Post said. “A great f—— man and the best f—— hugger in the goddamn world.”

The show hit full throttle after “Circles,” shifting into banger mode. “Psycho” had the stadium bouncing, but “Candy Paint,” introduced with a laugh and a deadpan “This song’s about a car,” reminded everyone of Post’s trap-pop beginnings. Then came “Pour Me Another Drink,” a new track drenched in country swagger, reminiscent of Toby Keith’s “Red Solo Cup” but with Post’s signature twist.

“Rockstar” was a jaw-dropper, reimagined with a gritty, rock-forward arrangement and paired with a dazzling pyro display. Post even handled 21 Savage’s verse himself. Another highlight: “Sunflower,” which saw Swae Lee join him onstage. Their chemistry, backed by a lush mix of violins and guitars, turned the hit into a stadium-wide singalong.

For the grand finale, Post ascended on a platform that rose from the crowd. What began as a simple tour-date sign transformed into a mini stage as he closed with “Congratulations.” He ended the night with a pep talk, urging fans to chase their dreams.

Throughout the night, Post Malone was equal parts showman, songwriter, and Southern gentleman. His Big Ass Stadium Tour may be his first at this scale, but judging by the sold-out crowd and the explosive energy, it won’t be his last. Country or not, Post still knows how to throw one hell of a party—solo cup in hand, heart on sleeve, and pyro in the sky.

For the latest tour updates and news, visit Post Malone’s official website at www.postmalone.com